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Tri et filtres :
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therefore, the title was born
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The Way Out
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.912975 Composed by Jackie Perks. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.912975 Composed by Jackie Perks. Contemporary. Score. 3 pages. Jackie Perks #5993477. Published by Jackie Perks (A0.912975). This piece was improvised on the spot. With everything happening in the world today, I just had to get it all out. I walked to my piano, turned on the record button and just played it. For me, it was the way out....an escape from the world through my music; therefore, the title was born. With whatever is happening in your part of the world, I hope that you and your precious ones are safe and well. I hope you will enjoy playing my music and thanks for your support!! Much peace and love, ~Jackie.
$4.99
4.63 €
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Piano seul
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Jackie Perks
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therefore, the title was born
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The Way Out
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Jackie Perks
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME à& NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing àthe title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
13.92 €
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Guitare
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Various
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Socrates Arvanitakis
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brotherâs name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: LâArt de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
23.19 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Interm…
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Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.<br> <br> Sonata Op. 49 No. 2<br> Arranged from Beethovenâs Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement âAllegro ma non troppoâ and the second movementâTempo di Menuettoâ are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named âEasy Sonatasâ because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.<br> <br> BeethovenBackground<br> Ludwig vanBeethoven (1770 â1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.<br> <br> Beethoven Overview<br> First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. Thatâs when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.<br> <br> First Period<br> Seems like we often divideBeethovenâs life into three periods. Period 1 begins with Beethovenâs arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.<br> <br> Second Period<br> His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3â 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.<br> <br> Third Period<br> In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.
$49.95
46.34 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
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SheetMusicPlus
Handel: Largo from Xerxes for Violin & Piano
Violon et Piano
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Hand…
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Violin & Piano - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by James M. Guthrie, ASCAP. Baroque Period, General Worship, Repertoire, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3
Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handelâs âLargo,â Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
30.57 €
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Violon et Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Violin & Piano
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jmsgu3
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SheetMusicPlus
Music for Four Brass, Christmas, Score 65199
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.530803 Composed by Various. Arr…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.530803 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Romantic Period,Sacred. Score and parts. 82 pages. Last Resort Music Publishing #6071831. Published by Last Resort Music Publishing (A0.530803). Score - Parts 1-2 in Bb, Part 3-4 in C A Spirited Collection of Holiday Brass Music! This series is designed to be used by a brass quartet and is perfect for recitals, concerts, parties and any chamber music event. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played!Parts available: 65111 Part 1 Bb Trumpet 65121 Part 2 Bb Trumpet 65122 Part 2 French Horn in F *DD65131 Part 3 Trombone 65132 Part 3 French Horn in F 65141 Part 4 Bass Trombone or Tuba65150 Keyboard or Guitar 65199 Score (Parts 1-2 in Bb, Part 3-4 in C) *DD *Parts available by digital download onlyTable of ContentsAngels We Have Heard on HighAway in a MangerBreak Forth, O Beauteous, Heavenly LightBring Your Torches, Jeanette, IsabellaCoventry CarolDeck the HallsThe First NoelFor Unto Us a Child is BornGod Rest Ye Merry GentlemenGood King WenceslasGreensleevesHark! The Herald Angels SingThe Holly and the IvyIt Came Upon a Midnight ClearJolly Old St. NicholasJoy to the WorldA La Nanita NanaThe Nutcracker - Chinese Dance, Dance of the Sugar Plum Fairy, March, TrepakO Come, All Ye FaithfulO Little Town of BethlehemSilent NightSing We Now of ChristmasWassail SongWe Three KingsWe Wish You a Merry ChristmasWexford CarolDon't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com
$39.99
37.1 €
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Ensemble de cuivres
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Various
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Daniel Kelley
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Music for Four Brass, Christmas, Score 65199
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Last Resort Music Publishing
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SheetMusicPlus
Music for Four Brass, Christmas Part 4 Bass Trombone or Tuba
Quatuor de Cuivres
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1341872
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1341872 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Holiday,Romantic Period. 41 pages. Last Resort Music Publishing #927383. Published by Last Resort Music Publishing (A0.1341872). Part 4 Bass Trombone or TubaMusic for Four Brass - Traditional Christmas MusicÃÂ A Spirited Collection of Holiday Brass Music! This series is designed to be used by a brass quartet and is perfect for recitals, concerts, parties and any chamber music event. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. ÃÂ Parts are available separately or may be purchased for specific instrumentation. ÃÂ The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played! Listen to the Philadelphia Orchestra Brass Quartet play A La Nanita Nana (starts at 10:38) Table of ContentsAngels We Have Heard on HighAway in a MangerBreak Forth, O Beauteous, Heavenly LightBring Your Torches, Jeanette, IsabellaCoventry CarolDeck the HallsThe First NoelFor Unto Us a Child is BornGod Rest Ye Merry GentlemenGood King WenceslasGreensleevesHark! The Herald Angels SingThe Holly and the IvyIt Came Upon a Midnight ClearJolly Old St. NicholasJoy to the WorldA La Nanita NanaThe Nutcracker - Chinese Dance, Dance of the Sugar Plum Fairy, March, TrepakO Come, All Ye FaithfulO Little Town of BethlehemSilent NightSing We Now of ChristmasWassail SongWe Three KingsWe Wish You a Merry ChristmasWexford Carol Parts Available Separately:ÃÂ 65111 Part 1 Bb Trumpet ÃÂ 65121 Part 2 Bb TrumpetÃÂ 65122 Part 2 French Horn in FÃÂ 65131 Part 3 TromboneÃÂ 65132 Part 3 French Horn in FÃÂ 65141 Part 4 Bass Trombone or TubaÃÂ 65150 Keyboard or GuitarÃÂ ÃÂ
$20.00
18.55 €
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Quatuor de Cuivres
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Various
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Daniel Kelley
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Music for Four Brass, Christmas Part 4 Bass Trombone or Tuba
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Last Resort Music Publishing
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1109895 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #712266. Published by RayThompsonMusic (A0.1109895). Arranged standard brass quintet. A beautiful piece of music. It suits the brass quintet. The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus: Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen. The piece begins piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised after two bars, on Lacrimosa dies illa (This tearful day). Then follows a diatonic progression, in disjointed eighth-notes on the text resurget (will be reborn), then legato and chromatic on a powerful crescendo. The music is forte by bar 8, at which point Mozart's contribution to the movement is interrupted by his death. Süssmayr brings the music to a reference of the Introit and ends on an Amen cadence. Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem. Indeed, many modern completions (such as Levin's) complete Mozart's fragment. Some sections of this movement are quoted in the Requiem mass of Franz von Suppé, who was a great admirer of Mozart. Ray Robinson, the music scholar and president (from 1969 to 1987) of the Westminster Choir College, suggests that Süssmayr used materials from Credo of one of Mozart's earlier masses, Mass in C major, K. 220 Sparrow in completing this movement.
$4.95
4.59 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
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RayThompsonMusic
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SheetMusicPlus
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